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<channel>
	<title>Ryan Lawrence</title>
	<link>https://iamryanlawrence.com</link>
	<description>Ryan Lawrence</description>
	<pubDate>Sun, 03 Nov 2024 21:21:30 +0000</pubDate>
	<generator>https://iamryanlawrence.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Home</title>
				
		<link>https://iamryanlawrence.com/Home</link>

		<pubDate>Sat, 04 Feb 2023 20:29:48 +0000</pubDate>

		<dc:creator>Ryan Lawrence</dc:creator>

		<guid isPermaLink="true">https://iamryanlawrence.com/Home</guid>

		<description>
</description>
		
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	<item>
		<title>Index</title>
				
		<link>https://iamryanlawrence.com/Index</link>

		<pubDate>Thu, 06 Jul 2023 23:36:28 +0000</pubDate>

		<dc:creator>Ryan Lawrence</dc:creator>

		<guid isPermaLink="true">https://iamryanlawrence.com/Index</guid>

		<description>
	is a multidisciplinary creative director, art director, and designer based in Los Angeles.
01&#38;nbsp;
	More Information
 
	02
Select Works
	
‘19-’24

03 Open Research 04
	Music Archive&#38;nbsp;
	💿

	05
	06

	Contact
	LinkedIn
07
Download Resume</description>
		
	</item>
		
		
	<item>
		<title>More Info</title>
				
		<link>https://iamryanlawrence.com/More-Info</link>

		<pubDate>Fri, 16 Jun 2023 18:02:34 +0000</pubDate>

		<dc:creator>Ryan Lawrence</dc:creator>

		<guid isPermaLink="true">https://iamryanlawrence.com/More-Info</guid>

		<description>is a multidisciplinary creative director, art director, and designer based in Los Angeles. I create works, products and services for brands, artists, consumers, and other creative studios.

My work experience ranges from art and design, film and motion to digital templates and toolkits. I focus on creating timeless works, and design systems through modular concepts and experimentation.

I’ve collaborated with advertising agencies, artists, writers, illustrators, designers, design and content studios, and global brands such as A24, Apple, HBO, Kia, Netflix, MGM, Rivian, Sony, Toyota, Universal and YouTube. 
I’m currently working with Airbnb, as a Creative Lead, Design in Los Angeles, California; formerly worked with Apple for five years. Originally from Miami, Florida, I’ve previously lived, and worked in New York, Quezon City, and Miami. 
As a Filipino-American, I strive to understand, and highlight key cultural moments that help to shape a better, more empathetic world. Whether that is through nurturing a collaborative work environment, or simply being kind.







&#60;img width="550" height="550" width_o="550" height_o="550" data-src="https://freight.cargo.site/t/original/i/ea6aad0728c2b479983b81cf9cdf4bc9cef0d5e332310a7687181553db8b43f6/Bio.gif" data-mid="182361634" border="0" data-no-zoom data-rotation="-2.5" src="https://freight.cargo.site/w/550/i/ea6aad0728c2b479983b81cf9cdf4bc9cef0d5e332310a7687181553db8b43f6/Bio.gif" /&#62;









In my spare time, I go on outdoor adventures with my family. When I do find the time, I also work on passion projects through music, motion design, video, film photography, ceramics, and machine learning.
If you would like to collaborate on future projects, or want to say hello, please contact hello@iamryanlawrence.com. 

Here’s a digital copy of my latest resumé .</description>
		
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	<item>
		<title>TGK</title>
				
		<link>https://iamryanlawrence.com/TGK</link>

		<pubDate>Tue, 29 Oct 2024 09:33:53 +0000</pubDate>

		<dc:creator>Ryan Lawrence</dc:creator>

		<guid isPermaLink="true">https://iamryanlawrence.com/TGK</guid>

		<description>
	Select Works
	‘19-’24

	
</description>
		
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	<item>
		<title>TGK Info</title>
				
		<link>https://iamryanlawrence.com/TGK-Info</link>

		<pubDate>Tue, 29 Oct 2024 07:05:50 +0000</pubDate>

		<dc:creator>Ryan Lawrence</dc:creator>

		<guid isPermaLink="true">https://iamryanlawrence.com/TGK-Info</guid>

		<description>
	A24 
	‘20-’21
The Green Knight
“The Green Knight” is an epic fantasy adventure film based on the timeless Arthurian legend “Sir Gawain and the Green Knight.” The trailer was narrated by Ralph Ineson, the Green Knight himself. Art direction and design lead for a theatrical film trailer that comprised of visual explorations, type treatments, and motion design.&#38;nbsp;
The film was directed by visionary filmmaker David Lowery, and stars Dev Patel, Alicia Vikander, Joe Edgerton, Sarita Choudhury, Sean Harris and featuring Ralph Ineson as the Green Knight.Fig. 01 — Initial visual concepts and typography exploration, style frames.




&#60;img width="1200" height="675" width_o="1200" height_o="675" data-src="https://freight.cargo.site/t/original/i/7182dc688ce744221be1e06ce06f03f1bfb41efb3d90b5120188a6379ea97aea/E4cKPvdWYAECNK_.jpg" data-mid="220457653" border="0"  src="https://freight.cargo.site/w/1000/i/7182dc688ce744221be1e06ce06f03f1bfb41efb3d90b5120188a6379ea97aea/E4cKPvdWYAECNK_.jpg" /&#62;
&#60;img width="4096" height="2304" width_o="4096" height_o="2304" data-src="https://freight.cargo.site/t/original/i/6a49c9d0101a085d5271eac0966136a6a190d1451fe76cfef0aaf5a5892c2c10/01.jpg" data-mid="220457563" border="0"  src="https://freight.cargo.site/w/1000/i/6a49c9d0101a085d5271eac0966136a6a190d1451fe76cfef0aaf5a5892c2c10/01.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/891e7a349c9e4271fe1d9c48e0839be50652543dd2ef9b8b229ba9810104e9ec/TGK.gif" data-mid="220457561" border="0"  src="https://freight.cargo.site/w/1000/i/891e7a349c9e4271fe1d9c48e0839be50652543dd2ef9b8b229ba9810104e9ec/TGK.gif" /&#62;
&#60;img width="4096" height="2304" width_o="4096" height_o="2304" data-src="https://freight.cargo.site/t/original/i/f68771e73c6f6656dfe273059968b52350773976a59f05e8cf10f6a84545fd75/02.jpg" data-mid="220457579" border="0"  src="https://freight.cargo.site/w/1000/i/f68771e73c6f6656dfe273059968b52350773976a59f05e8cf10f6a84545fd75/02.jpg" /&#62;
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&#60;img width="4096" height="2304" width_o="4096" height_o="2304" data-src="https://freight.cargo.site/t/original/i/f09f898f39491af65cef3d9ef093233ddf0688bb454f1a33dc8446d56ab93bf2/10.jpg" data-mid="220457587" border="0"  src="https://freight.cargo.site/w/1000/i/f09f898f39491af65cef3d9ef093233ddf0688bb454f1a33dc8446d56ab93bf2/10.jpg" /&#62;
&#60;img width="4096" height="2304" width_o="4096" height_o="2304" data-src="https://freight.cargo.site/t/original/i/132262baae3397621d341ac861726d38cc4c1c14ab5c03e8a9bf8134b5b23204/06.jpg" data-mid="220457583" border="0"  src="https://freight.cargo.site/w/1000/i/132262baae3397621d341ac861726d38cc4c1c14ab5c03e8a9bf8134b5b23204/06.jpg" /&#62;





The overall visual design took inspiration from typography from early medieval manuscripts, and hand-drawn lettering.



Because the original poem is rich with historic and complex themes, the trailer took on an unconventional approach from the traditional theatrical trailer. The long form trailer acts as like a history lesson, a precursor for audiences unfamiliar with the story. This project displayed a collaborative approach between art directors, writers, editors, motion designers, and the music team.




Fig. 02 — Final motion frames from the&#38;nbsp;Legends Never Die: An Oral History of ‘The Green Knight’ Narrated by Ralph Ineson.





&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/bb85dc52f6e051f4466914ef0ee7eb15445159c2cad5b234b5c1a594c144192b/TGK_TRLR_01.gif" data-mid="221073973" border="0"  src="https://freight.cargo.site/w/1000/i/bb85dc52f6e051f4466914ef0ee7eb15445159c2cad5b234b5c1a594c144192b/TGK_TRLR_01.gif" /&#62;
&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/02fcf3f1867971cfe20b923ed0e37d468b987e5a1fea2f5171ed04ca2d384f29/TGK_TRLR_02.gif" data-mid="221073974" border="0"  src="https://freight.cargo.site/w/1000/i/02fcf3f1867971cfe20b923ed0e37d468b987e5a1fea2f5171ed04ca2d384f29/TGK_TRLR_02.gif" /&#62;
&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/e8bbb6af57bc15926f2e67a52baaec9a79f00eef4ebb057c6ee5eba443121d99/TGK_TRLR_05.gif" data-mid="221073978" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/e8bbb6af57bc15926f2e67a52baaec9a79f00eef4ebb057c6ee5eba443121d99/TGK_TRLR_05.gif" /&#62;
&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/794f6f389efe5e254eb25db2e6bd69823095d3be4fa78e0cec5aa8200ec6ef94/TGK_TRLR_04.gif" data-mid="221074239" border="0"  src="https://freight.cargo.site/w/1000/i/794f6f389efe5e254eb25db2e6bd69823095d3be4fa78e0cec5aa8200ec6ef94/TGK_TRLR_04.gif" /&#62;
&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/c23ed0f5f0901f1d93f8c3ab109dd4060a217907bea0050bd56331dd1ef0b45b/TGK_TRLR_03.gif" data-mid="221074236" border="0"  src="https://freight.cargo.site/w/1000/i/c23ed0f5f0901f1d93f8c3ab109dd4060a217907bea0050bd56331dd1ef0b45b/TGK_TRLR_03.gif" /&#62;
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&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/e3f13af633296e607ef2ce0f1748ff06a3963f7d4319486407b73958143857d9/TGK_TRLR_08.gif" data-mid="221074242" border="0"  src="https://freight.cargo.site/w/1000/i/e3f13af633296e607ef2ce0f1748ff06a3963f7d4319486407b73958143857d9/TGK_TRLR_08.gif" /&#62;


2020-2021GOLD &#38;amp; SILVER CLIO AWARDS, GOLDEN TRAILER AWARD
	
DESIGN LEAD, ART DIRECTION, MOTION DESIGN
	
THEATRICAL TRAILERRUNTIME 00:03:14


Watch the full trailer&#38;nbsp;︎︎︎




Fig. 03 — Final motion frames from the The Green Knight &#124; A Fantasy Roleplaying Game, the official promo ad.


&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/2308bbaaab5ac223ea27a9bbce5018dd9f70ffaa19251ace6471934d4e91821f/TGK_VHS_01.gif" data-mid="221074022" border="0"  src="https://freight.cargo.site/w/1000/i/2308bbaaab5ac223ea27a9bbce5018dd9f70ffaa19251ace6471934d4e91821f/TGK_VHS_01.gif" /&#62;
&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/efe65c6839565a6dcb4a8cc020ba7ae787a62ca1c796e606da10771b4d6dc50f/TGK_VHS_02.gif" data-mid="221074023" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/efe65c6839565a6dcb4a8cc020ba7ae787a62ca1c796e606da10771b4d6dc50f/TGK_VHS_02.gif" /&#62;
&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/d1b4d7bcfefddd27fdfbfb180fd8d3db168cf6c9973289404320cdbb62a0c9b5/TGK_VHS_03.gif" data-mid="221074024" border="0"  src="https://freight.cargo.site/w/1000/i/d1b4d7bcfefddd27fdfbfb180fd8d3db168cf6c9973289404320cdbb62a0c9b5/TGK_VHS_03.gif" /&#62;



In addition, a product marketing video was made for an original tabletop roleplaying game inspired by the upcoming fantasy film. The short was shot, and edited in the style of a retro 80’s ad made for VHS. It was color-treated, and featured hand-drawn animation techniques for both the visual effects, and title design.



Watch the promo ︎︎︎


	CREDITS

CLIENT
STUDIO
MUSICCREATIVE PRODUCER
EDITOR
DESIGN &#38;amp; MOTION LEAD
WRITER
MOTION DESIGN
	

A24
GRANDSON
ELEPHANT MUSIC
ALYSSON FEIL
RICH COSTALES
RYAN LAWRENCE
MICHELLE KRIGSFELD
JENNIFER LEE
DOGAN CAN GUNDOGDU






	︎︎︎
	1/5
	︎︎︎






</description>
		
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	<item>
		<title>Uncut Gems</title>
				
		<link>https://iamryanlawrence.com/Uncut-Gems-1</link>

		<pubDate>Sat, 02 Nov 2024 21:11:40 +0000</pubDate>

		<dc:creator>Ryan Lawrence</dc:creator>

		<guid isPermaLink="true">https://iamryanlawrence.com/Uncut-Gems-1</guid>

		<description>Select Works
	‘19-’24
</description>
		
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	<item>
		<title>Uncut Gems Info</title>
				
		<link>https://iamryanlawrence.com/Uncut-Gems-Info</link>

		<pubDate>Sat, 02 Nov 2024 21:11:53 +0000</pubDate>

		<dc:creator>Ryan Lawrence</dc:creator>

		<guid isPermaLink="true">https://iamryanlawrence.com/Uncut-Gems-Info</guid>

		<description>A24 Uncut Gems
	‘19-’20Uncut Gems is an electrifying crime thriller about Howard Ratner, a charismatic New York City jeweler always on the lookout for the next big score. The film was directed by visionary filmmakers Josh and Benny&#38;nbsp;Safdie, and stars Adam Sandler, LaKeith Stanfield, Julia Fox, Kevin Garnett, Idina Menzel, and Eric Bogosian.

Art direction and design lead for the audio visual campaign for the film “Uncut Gems.” The visuals and title design resemble the “Opal” from the film. Adding film grain,and light leaks to give the visuals a more analog aesthetic, which reinforces the gritty feel of the film.The overall aesthetics were based on the “Opal”, and the optical effects the gem produces. Since the film was shot on vintage zoom telephoto lenses by renowned cinematographer Darius Khondji, the backplates were made to feel as if the titles were made before computers with film grain, and natural light leaks. We studied  of photographic light techniques, and type design from the 70’s and 80’s. The visual identity of the campaign resembles a refreshingly analog approach to title design. 



Fig. 01 — Final motion frames from the Official&#38;nbsp;Uncut Gems theatrical trailer.





&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/fedc45945d4d46ca6454a6a2d5b010961c52b476bfaf7df61a921e16ac6570ab/UncutGems_TRLR_01.gif" data-mid="221077877" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/fedc45945d4d46ca6454a6a2d5b010961c52b476bfaf7df61a921e16ac6570ab/UncutGems_TRLR_01.gif" /&#62;
&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/59f7e345de8e4d316a0ffe8cfa58422fa15b1cd2665a4240931bfad65fb70cf6/UncutGems_TRLR_02.gif" data-mid="221077881" border="0"  src="https://freight.cargo.site/w/1000/i/59f7e345de8e4d316a0ffe8cfa58422fa15b1cd2665a4240931bfad65fb70cf6/UncutGems_TRLR_02.gif" /&#62;
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&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/7726089c25e2d5b909c0ff4416f8c6256b4bb795e1d3be5db81d9dcfde57f726/UncutGems_TRLR_04.gif" data-mid="221077892" border="0"  src="https://freight.cargo.site/w/1000/i/7726089c25e2d5b909c0ff4416f8c6256b4bb795e1d3be5db81d9dcfde57f726/UncutGems_TRLR_04.gif" /&#62;
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&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/7afc6640099811f78f40ee06186c94bcb4786ac42ee78c146b5fe60fbeb8a60c/UncutGems_TRLR_06.gif" data-mid="221077894" border="0"  src="https://freight.cargo.site/w/1000/i/7afc6640099811f78f40ee06186c94bcb4786ac42ee78c146b5fe60fbeb8a60c/UncutGems_TRLR_06.gif" /&#62;


2019-2021GOLD &#38;amp; SILVER CLIO AWARDS, GOLDEN TRAILER AWARD
	
DESIGN LEAD, ART DIRECTION, MOTION DESIGN
	
THEATRICAL TRAILERRUNTIME 00:02:31


Watch the full trailer&#38;nbsp;︎︎︎




Fig. 02 — Final motion frames from a teaser, and visuals from the social campaign.


&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/e77dce27db2b6d18a1374acf66ba0cc7f1de6730837fa93cf07ec31a2adb7a85/UncutGems_TSR_03.gif" data-mid="221077991" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/e77dce27db2b6d18a1374acf66ba0cc7f1de6730837fa93cf07ec31a2adb7a85/UncutGems_TSR_03.gif" /&#62;
&#60;img width="1080" height="606" width_o="1080" height_o="606" data-src="https://freight.cargo.site/t/original/i/9435d8291e5b4fb11de346719489c227c7749d23a531db44d434cfff1eaba341/UncutGems_TSR_01.gif" data-mid="221078202" border="0"  src="https://freight.cargo.site/w/1000/i/9435d8291e5b4fb11de346719489c227c7749d23a531db44d434cfff1eaba341/UncutGems_TSR_01.gif" /&#62;
&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/89af51f4bc79555d4cd7150a7565715dc55bd5143e3ddf2f5505673fa271709a/UncutGems_TSR_02.gif" data-mid="221077988" border="0"  src="https://freight.cargo.site/w/1000/i/89af51f4bc79555d4cd7150a7565715dc55bd5143e3ddf2f5505673fa271709a/UncutGems_TSR_02.gif" /&#62;



In addition, we created super short films prior to the launch of the full trailer to create a sense of awareness, and anticipation. We utilized both scenes from the film, and the actor’s screen tests. We also collected a number of colorful textures, light leaks, and various lens &#38;amp; film effects from the actual film dailies for this digital campaign. &#38;nbsp;



	CREDITS

CLIENT
STUDIO
MUSIC
MUSIC SUPERVISORCREATIVE PRODUCER
EDITORS


DESIGN &#38;amp; MOTION LEAD
MOTION DESIGN
	

A24
GRANDSON
SENCIT MUSIC
WILL QUINEY
ALYSSON FEIL
NATHAN LAOLAGI
RICH COSTALES
GABE GOLDSTEIN
RYAN LAWRENCEKAITLIN MILLER






	︎︎︎
	2/5
	︎︎︎






</description>
		
	</item>
		
		
	<item>
		<title>Acid</title>
				
		<link>https://iamryanlawrence.com/Acid-1</link>

		<pubDate>Sun, 03 Nov 2024 00:59:07 +0000</pubDate>

		<dc:creator>Ryan Lawrence</dc:creator>

		<guid isPermaLink="true">https://iamryanlawrence.com/Acid-1</guid>

		<description>Select Works
	‘19-’24
</description>
		
	</item>
		
		
	<item>
		<title>Acid Info</title>
				
		<link>https://iamryanlawrence.com/Acid-Info</link>

		<pubDate>Sun, 03 Nov 2024 00:59:23 +0000</pubDate>

		<dc:creator>Ryan Lawrence</dc:creator>

		<guid isPermaLink="true">https://iamryanlawrence.com/Acid-Info</guid>

		<description>
	Acid 
Visual Identity
	’22
Acid is a trailer music company by Will Quiney and Johan Hugo that captures the duo’s eclectic taste and production in music, trailer music. The Acid visual identity is meant to feel like a juxtaposition, a soft contrast, a feel-good vibe. The art direction, and aesthetics should contrast the harshness and the connotations associated with the word—“Acid”. Fig. 01 — Initial modular logo designs.



	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c49b2bd7f1f6d098565237ca1b48860a9e8d61e3689829b2384504f6e64317f2/Acid_VisID_01.png" data-mid="221079557" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/c49b2bd7f1f6d098565237ca1b48860a9e8d61e3689829b2384504f6e64317f2/Acid_VisID_01.png" /&#62;



The basis of the visual identity system is to have a cohesive look between the logo, imagery and information. The image is slightly angled between 2-3 degrees in order to give the composition a more natural aesthetic. The logo meant to be modular, as the flower / animal can be interchangeable depending on the mood of each volume of music.

Fig. 02 — Visual identity, typography, and guidelines.



&#60;img width="1080" height="606" width_o="1080" height_o="606" data-src="https://freight.cargo.site/t/original/i/1a8f2d397497172475cd91d7d6ab243c35b7c66117d05a0ca449a4a38578b734/Acid_VisualIdentity_01.gif" data-mid="221081810" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/1a8f2d397497172475cd91d7d6ab243c35b7c66117d05a0ca449a4a38578b734/Acid_VisualIdentity_01.gif" /&#62;
&#60;img width="1080" height="606" width_o="1080" height_o="606" data-src="https://freight.cargo.site/t/original/i/1240ce74625c82b33621b6ceac12b3877e9dad420fc1e82c3d49735c4a7d97e1/Acid_VisualIdentity_02.gif" data-mid="221081812" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/1240ce74625c82b33621b6ceac12b3877e9dad420fc1e82c3d49735c4a7d97e1/Acid_VisualIdentity_02.gif" /&#62;


Fig. 03 — Design System.



&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1fe586e4b4627e839b9d67c864ed8f79f9e9457ed6d5bd7702d4b0b5791b7f58/Acid_VisID_02.png" data-mid="221081500" border="0"  src="https://freight.cargo.site/w/1000/i/1fe586e4b4627e839b9d67c864ed8f79f9e9457ed6d5bd7702d4b0b5791b7f58/Acid_VisID_02.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/22d8248c806a2b246f950c7fc21aac6b4e0342601d4e2994080e6a22caf62087/Acid_Visual_ID_System_022122_ForSelectWorks.001.png" data-mid="221081501" border="0"  src="https://freight.cargo.site/w/1000/i/22d8248c806a2b246f950c7fc21aac6b4e0342601d4e2994080e6a22caf62087/Acid_Visual_ID_System_022122_ForSelectWorks.001.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f8012c3ea7d29f538000fbf3ae2fffa00c21872c1fcf9e8e03da45759e1cd420/Acid_Visual_ID_System_022122_ForSelectWorks.002.png" data-mid="221081502" border="0"  src="https://freight.cargo.site/w/1000/i/f8012c3ea7d29f538000fbf3ae2fffa00c21872c1fcf9e8e03da45759e1cd420/Acid_Visual_ID_System_022122_ForSelectWorks.002.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/00598b363d4272448595861f4fcdbd139d1baf8f5f9c55c0a050c44ab1a9d4dc/Acid_Visual_ID_System_022122_ForSelectWorks.003.png" data-mid="221081503" border="0"  src="https://freight.cargo.site/w/1000/i/00598b363d4272448595861f4fcdbd139d1baf8f5f9c55c0a050c44ab1a9d4dc/Acid_Visual_ID_System_022122_ForSelectWorks.003.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a34487d443e515abf411cc1b64e719afb92cb708f43a0480a13825349b0bdc27/Acid_Visual_ID_System_022122_ForSelectWorks.004.png" data-mid="221081504" border="0"  src="https://freight.cargo.site/w/1000/i/a34487d443e515abf411cc1b64e719afb92cb708f43a0480a13825349b0bdc27/Acid_Visual_ID_System_022122_ForSelectWorks.004.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6072a903ad97f1ab1b24f192310ac2120c60f2e603bd6b7eb963ab99735119f1/Acid_Visual_ID_System_022122_ForSelectWorks.005.png" data-mid="221081505" border="0"  src="https://freight.cargo.site/w/1000/i/6072a903ad97f1ab1b24f192310ac2120c60f2e603bd6b7eb963ab99735119f1/Acid_Visual_ID_System_022122_ForSelectWorks.005.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/bbc15e78eff23dcfe84083f74d219b9b63704c41cb40c9b10a43a5718116e83e/Acid_Visual_ID_System_022122_ForSelectWorks.006.png" data-mid="221081506" border="0"  src="https://freight.cargo.site/w/1000/i/bbc15e78eff23dcfe84083f74d219b9b63704c41cb40c9b10a43a5718116e83e/Acid_Visual_ID_System_022122_ForSelectWorks.006.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/08e5485011d394827a27794846dbb960769ab4e19382fd76c012516adf8dd9a6/Acid_Visual_ID_System_022122_ForSelectWorks.007.png" data-mid="221081507" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/08e5485011d394827a27794846dbb960769ab4e19382fd76c012516adf8dd9a6/Acid_Visual_ID_System_022122_ForSelectWorks.007.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/282f89b77fd620bc49d81d5977da4db1d2ded6f6503105ac80791cada22715c1/Acid_Visual_ID_System_022122_ForSelectWorks.008.png" data-mid="221081508" border="0"  src="https://freight.cargo.site/w/1000/i/282f89b77fd620bc49d81d5977da4db1d2ded6f6503105ac80791cada22715c1/Acid_Visual_ID_System_022122_ForSelectWorks.008.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/497d93136d2994172fbc299360c8b84246d4290d0323de0bf3189755c0c73876/Acid_Visual_ID_System_022122_ForSelectWorks.009.png" data-mid="221081509" border="0"  src="https://freight.cargo.site/w/1000/i/497d93136d2994172fbc299360c8b84246d4290d0323de0bf3189755c0c73876/Acid_Visual_ID_System_022122_ForSelectWorks.009.png" /&#62;



2022FREELANCE
	
DESIGN LEAD, CREATIVE DIRECTION, MOTION DESIGN
	
VISUAL IDENTITYTYPE AND LOGO DESIGN


Check out Acid, a trailer music company ︎︎︎



	CREDITS

CLIENT



CREATIVE DIRECTOR

	

ACID
JOHAN HUGO
WILL QUINEY

RYAN LAWRENCE







	︎︎︎
	3/5
	︎︎︎






</description>
		
	</item>
		
		
	<item>
		<title>GrandSon</title>
				
		<link>https://iamryanlawrence.com/GrandSon-1</link>

		<pubDate>Sun, 03 Nov 2024 21:21:30 +0000</pubDate>

		<dc:creator>Ryan Lawrence</dc:creator>

		<guid isPermaLink="true">https://iamryanlawrence.com/GrandSon-1</guid>

		<description>Select Works
	‘19-’24

</description>
		
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